Flamenco en el Backstage

Almost always, the truly authentic of something is what is not seen or not known because it is not taught. Something that is intuited that exists but that, by whatever custom, is not shown as it should. Being in that kitchen where it is prepared at slow fire what later transcends. Pablo Ruben Maldonado has been offering his Flamenco in the Backstage format in Amor de Dios for almost a year, although we like what he said last night: Its like flamenco in my living room. That at the end of the day its like tasting a taste of slaughtering a bonfire. The rest are trifles.
every day with different artists, over the course of a year, with good entries despite the limited dissemination and quality as a flag is within reach of a few people. Very few.
An artistic and vital need that makes his proposal something diaphanous, that experiences the coexistence and the almost improvisation that in the end was what has nourished flamenco. But there is more.
Really flamenco, we repeat, was and is like that. Get together, give two or three brief guidelines and execute, let go and offer, give everything.
Pablo Rubén Maldonado wants to introduce us to flamenco by presenting us another way of sharing and feeling it, in one of Madrids most emblematic dance venues, Amor de Dios.
A rehearsal room as a stage, for which the best flamenco dancers have left and continue to make their mark.
Far from the big audiences, without formalities, in acoustic and with the intimate experience, both for the artist and for the spectator to be so close, who can listen to each others breathing ... In this context, it is inevitable that it emerges an almost magical connection between the two.