Cafetín La Quimera

We bring to our days forgotten dances and songs, essence of teachers, which are the root. We move away from the commercial, from the deception of flamenco to guiris, from the conviction and image sold outside Spain, from the concept of flamenco as sevillanas, rumbas and tambourines. We moved away from the non-existent technologies in the 19th century, a stage in which FLAMENCO was true, since there was only singing, guitar, clapping, dancing.
We do not use microphones to help the voice and the guitar, but they have to make an effort with their natural tools, we do not use percussion drawers that cover the compass errors of the dancers, we do not use violins, flutes, stagings, or no effective device.
We do not use microphones to help the voice and the guitar, but they have to make an effort with their natural tools, we do not use percussion drawers that cover the compass errors of the dancers, we do not use violins, flutes, stagings, or no effective device.
The only two ingredients we use are soul and heart, seasoned with a visceral delivery of the artists that do not have a script, nor with a structural composition. The improvisation, the emotion, the feeling, that they call "duende", the flamenco one on one, as the great director Peter Brook said "one doing and another watching". If you give true the viewer takes truth, if you give everything you are not obligated to give more and if you get excited you will transmit emotion.
The approach of real flamenco to the people, without economic abuses, or corporate capital gains, that any young person or person who can only afford to go to a cinema, can also see quality flamenco for the same price. That flamenco is not for wealthy minorities.